Category Archives: art

Lorikay Stone: In Focus and Exposed

Lorikay Stone is professional photographer and events coordinator. I met her through a mutual friend who wanted us to link together and discuss the upcoming Art Walk.  Lori’s vivacious and enthusiastic personality was very appealing to me and I knew she would be an interesting subject for an interview. Little did I know how talkative she is – her pictures truly are worth a thousand words.

How long have you been taking photos?

I’ve always taken pictures. I am fifth generation Kodak, my family started when Kodak started. My family wasn’t full of professional photographers, but my grandfather was an amazing photographer and he tested film. He had a beautiful eye for capturing moments.

When I attended high school I took some photography courses, I found as an artist I was messy, but I had a really good eye. Someone eventually asked if I would take some pictures of them and they would pay me, I was 18 or 19. I remember I then moved to Ft. Lauderdale because both of my grandparents fell ill and I enrolled in more photography courses. My grandpa gave me lots of feedback, technical feedback. I did lots of photography projects for him when I was younger.

What drew you to photography?

Mainly my family history and I had a good eye for it. What drew me to people photography is that I’m very social, I like people and I felt it was a way to give back. I recall a friend of mine wanted to collect a scrapbook of different locations nationwide and I figured it would be a good way to travel. Ironically, I actually met my ex-husband of fifteen years on that trip.

Have you always resided in Atlanta or are you from a different area?

I was born in upstate New York after my parents divorced and moved to Florida or what I like to call “South New York” (laughs). When I was 25, I took a trip nationwide and that was my attempt at discovering myself. I moved to Colorado Springs in 92 and worked for a professional photo lab. There I met some of the greatest photographers in the world and these were landscape photographers. I took what I learned from them and applied it to portraits.

When did you start shooting around the Atlanta area?

I moved here in 1999 and didn’t pick up my camera for a year. I wanted to change jobs and do something new; I actually became a travel agent. I vowed to not pick up a camera for a year and believe it or not a year to that day, a friend of mine asked for me to take a portrait.

I remember after 9/11, many photo agencies closed because the Internet started to change everything. These were older photo agencies and they couldn’t keep up with online transactions and processing. The Internet put a lot of these kinds of agencies out of business and I was able to pick up many of their clients. But I realized then that it’s very important to understand and be proficient in different levels of photography, in addition, almost everybody should have the opportunity to capture their family on film. You should pick your photographer like you pick your therapist, you need to be comfortable with that individual and the photographer needs to have the ability to bring that extra spark out of an individual or group of people.

You coordinate a major event called the Art Walk, give me some details about that.

It’s been going on for a couple years. The next one is May 14 at Studioplex and it will have everything to titillate your senses. We have chefs, poets, performance artists, skywalkers, yes even Luke (laughs).

There is a huge range of artists. Angie Wehunt will be there and she’s a folk artist, also Drea James a jewelry artist and Catherine Plate. Nabil Mousa will have some work there and he is from Syria, he concentrates on abstract paintings that support various gay rights movements worldwide.

Do you set up any other events around town?

Whenever I’m called to do it. I’m involved with Women in Focus and we do 3-4 gallery shows, I also have a Paris photography exhibit at the Stewart McLean gallery.

Let’s talk about influences. Who are some of your artistic influences?

I get the spiritual power of my art from a connection with God. I’m very spiritually and philosophy based, so I’m careful about how I throw around the word God. But to me God is a catch all term for something undefinable. I view God as the binding power of all things.

In terms of other influences, Nabil Mousa is one of my mentors and he taught me to be more free flowing and encouraged me to do more artwork in addition to my photography. He made me paint on top of my photographs and he’s always told me to be free and let things flow. That’s a very different form from how I shoot. In my photo studio, it’s about control, whether it be controlling lights, shade, the subject, but sitting with a paintbrush is really scary and hard to do.

Ansel Adams said, “Not everybody trusts paintings, but people believe photographs.”

I’ve often felt that most people categorize photography as more of documentation process and not an art. Would you define photography as a creative art or is it the opposite?

It is an art form. Art is making sense of things, reflecting beauty. I am in awe of photographers who walk down an ordinary street on an ordinary day and they see a shadow or reflection and capture that moment. An artist is someone who can capture from within. Those working with digital photography and film definitely need to have that skill. Bear in mind, Ansel Adams said that before digital photography (laughs). Coincidentally, I went to his exhibit in Cartersville and he had some very beautiful and artistic portraits of people.

Do you feel it’s necessary for people to obtain formal photography training or is it something one can learn on their own?

I struggle with that…but I’ve been shooting for 23 years. I’ve always had mentors and took the craft very seriously. Nowadays with digital photography it’s done two things. One, it has diluted the field, two, it has forced the people who are serious about their craft to take things to the next level.

I feel it’s important for people to consult an expert about photography because if you don’t know what to look for, it’s advantageous to find someone who does. I look at some photographers work and they have shoddy websites and layouts and it comes from a lack of training. People need to make sure the head shots and other things on their website look professional and well thought out. This is your first chance, your first impression, remember that.


To view Lorikay’s gallery and receive more details about the Art Walk, you can contact Lori via her site here


Artist Profile: Pan Tau Photo

Being a photographer is like being an entertainer. You have to entertain the subject in order to create a reaction  – it’s like you’re the frontman.” Kamil Lee of Pan Tau Photo

Pan Tau was the name of a funny character from a Czech children’s television series. He was notorious for his magic bowler’s hat and he could change his appearance into a puppet.

Pan Tau is also the name of a partnership between Atlanta based photographers Kamil Lee and Brittney Pope. Over the past year, Pan Tau Photo has created a stunning portfolio of bands, artists, and overall creative personalities. To view more of their work or to get a quote for a photo shoot, search for PantauPhoto on facebook.


{Photos} Sean Fahie Art Show 11.13.10

More info:

Sean Fahie




Featured Show of the Week

Dosa Kim: A Visual Storyteller


Dosa, can you briefly describe your background in art?

 I started as a freelance graphic designer. I did jobs for Nike, Coke, Cartoon Network ; I was the second runner-up in a citywide graphic design competition held in New York. From there I got into art and sold ideas rather than art. I felt selling ideas was more effective and honestly it was more of an introspective thing.

 My first piece was a black rabbit humping a white rabbit. It was a cutesy perspective, but meant to be about inter-racial relationships. As an Asian growing up and having lived in the south; I got both sides and perspectives. I intermingle with white and black social groups so I see it all in addition to my own cultural perspective.

 Were you formally trained or self-taught?

 As a painter, I was self-taught. As a graphic designer, I studied digital media at UGA and also studied at the Art Institute of Atlanta for a year before I dropped out.

 Where did you attend high school? Did they have a good arts program?

 I went to Roswell High School. Did they have a good arts program there – no, not at all. It was very lackluster. Most public schools have a terrible art system.

 My teacher knew I was generally talented, but never pushed me too far. In general, the youth have lots of content, but it’s not always visually appealing, their skills have to be honed. Now it almost seems as if comics or video games are the teachers of art culture to many young kids.

 Were the music and arts programs well received at your school? How were they perceived amongst other academic and extracurricular programs?

 To be blunt, it wasn’t a cool thing necessarily.There was no art club or artistic extracurricular activities. I can’t speak for what it’s like in high schools now, I’m 34. But it’s sad that arts programs were not and are not being pushed harder. It’s sad because we’re so connected to the web now and things are becoming very visual. Kids are coming into art schools now and they have no formal training or background.

As a culture, we respond to visual things. For instance, look at the Ed Hardy stuff and the whole skulls and feathers trend on tee shirts and other articles of clothing. That skulls and feather thing is being crafted by very talented artists. These are talented people whose doodles have evolved into master doodles and that’s it. That is the epitome of American art right now.

 For the most part, if you don’t give a kid a running start and show them there’s a future in art, something else besides skulls and feathers, that’s what they’ll do. It’s kind of bleak actually.

 Did you excel in your courses?

 I was pretty good at my graphic design courses. Yeah, I was pretty studious and stayed on top of my game when I was in art school.

 How important is it for artists to receive formal training?

 I can’t speak for everyone. Some people are super talented and will make it regardless of their schooling. But I really think you should know and understand technique and the artistic process from a more formal standpoint.

 Technique is just giving you a better weapon, a bigger and better gun. We’ve got lots of content in America, but no technique. It has to be married to the technique in order to make an intense statement. Like there’s a disparity between American art schools and art schools abroad.

For instance, you can look at what’s going on in China right now and what’s happening in their art schools. Their content matches technique and when this happens you get masterpieces. These Chinese artists are blending the formal techniques they’ve acquired in school with their own unique content to create very visual narratives. America has the content, but no formal technique.

 Look at graffiti for example. Kids do graffiti because there’s no other outlet. If I was a kid and knew there was no lucrative future in art, I’d tag everything. Graffiti comes from zero arts education in school, but it’s turned into its own culture and identity. However, we have to realize that arose out of a lack of training and a desire to visually express one’s self.

 What do you feel arts education can bring to students/aspiring artists?

 I personally think that colors and doing things through a visual medium is actually one of the most concrete things. We already use visuals to teach abstract concepts. Like when we teach simple math, 2+2=4, the teacher may use apples or some other fruit to illustrate the concept to the class. We need kids fleshing out their creative ideas and learning to trust their gut instincts.

 You see kids expressing themselves through art because it’s the only way to show what’s inside of them. There’s always the classic example of a child coming from a broken home or they’ve been molested and they portray through their art. You can see it in their pictures.

 Art is not like music, I feel visual art is even more open to interpretation and subjectivity. It’s a part of being human, our culture, what defines us. Ultimately, everything we do is to tell a story. Visuals are a narrative of our culture and society. It’s much more than a picture.

 Do you feel our local and state governments have taken an effective stance on increasing money for arts education?

 I have no idea. There was a time when Tri-Cities had a magnet school in Atlanta. Outkast actually went there and that’s how they linked up. You can tell from how artistic and confident Big Boi and especially Andre 3000 are. I do think that an environment like that contributes heavily to a person’s creativity and confidence.

 Cultures are remembered for the art they produce. We have very little to nothing of that right now. If we’re defined by consumerism, we’re being predictable robots and that’s not good. I still feel there is lots of talent and potential though. Let the creative and artistic kids grow. You have some of these kids failing math and science, but they’re painting Mona Lisas on their desks. That shouldn’t be rewarded?

Hate City Trailer – OFFICIAL Video

Hate City is a new documentary about the Atlanta music scene and it’s being filmed by indie director Bob Place. It is, ” the story of rock and roll in the hip-hop capitol of the world.” The trailer looks pretty enticing to me. It features appearances and interviews from Butch Walker, the Black Lips, Greg Street, Rehab, and one of my favorite local bands the Jungol.
Hate City will be released next year. For more about this film, click here

Deerhunter – “Helicopter” OFFICIAL Video

I’m almost hesitant to add to the blog hype of Deerhunter/Atlas Sound/Bradford Cox, but whatever. Their new single is called Helicopter and it’s really good. The song has very relaxing and lush tones that I like to hear on records.

Check out the official video for Helicopter below: